“Laurie wasn’t a badass, Laurie was a nerd…She’s smart and she survived and in that she’s badass. But you know, her poking [Michael] with the [hanger] was just an instinct and in this movie, I also don’t want her to be a badass. I want her to be prepared. I want her to still be who she is but prepared; she’s not Linda Hamilton, I don’t have those arms.”
True, it looks like she has her own arms, which look pretty damn strong. This is good as we all know Linda is needing hers while filming the new Terminator. How much of this is just a promo and how much we’ll see Curtis in a tank top is something we’ll have to wait to see. She is wearing one at least once in the movie, as the trailer reveals a scar received in the first movie.
And if Sarah Connor preparing for the storm coming in rather than breathing relief at the end is an influence for the prepared Laurie Strode, well, turn about is fair play. What Final Girl after 1978 can honestly show no influence from Laurie Strode? While many people love to rag on any comparison in such things, to me it’s part of the glue that holds my fangirl heart together.
And I love the idea of Lauire Strode as a Badass Nerd! That needs to be a serious thing! After all, I know I am not alone in being a bookish and physically capable. Brains seriously help with preparation for monsters. It takes both. And given that many of us are geeky movie fans who also read a lot as well as many of us working out and, yes, getting self-defense training that might even include defensive firearms…..this is what we live for! We need soooo many Badass Nerds!
And especially middle-aged Badass Nerdy women!
I am looking so forward to seeing Laurie Strode kick Micheal Myer’s butt this October! You better believe I will be seeing this. Probably many times.
If you haven’t yet or just want to again, you can check out the Halloween trailer here. Then we’ll discuss tank top colors.
Okay, so pretty much everyone I know and, obviously many I don’t but I’ve read them say so or have seen their Sarah Connor cosplay agrees. Sarah wears a black tank top. So Laurie’s green one is a difference. Right?
Well, the reason I feel a need to bring this up, is that not even an hour before I first saw the photo (which was two days after it was posted), I was rearranging my N.E.C.A. Ultimate Sarah Connor action figure and noted to my husband that although in photos the shirt looks black, it’s green. This is also true of McFarlane Movie Maniacs Sarah Connor. But up until this discussion, I would have sworn that the Hot Toys 1/6th figure had a black shirt, but out of curiosity I just shined a really bright light on it and……it’s green. A darker green than the other two figures. And, yeah, you can see that on the website. Somewhere all these licensed action figure makers got word it was a green shirt.
So was Sarah’s tank top black or green? Well, I think someone needs to ask Linda at some point, I volunteer if someone wants to pay for my ticket to….I think Austria at the moment. Or if she does cons after and I can get to one. Meanwhile we do have an answer in screen worn prop listings: Black or green? Apparently it was GRAY!
So…is that a black T-shirt she has this time or not?
So, as a feminist running a physical feminist fan site (that would be the one you are on right now) for Linda Hamilton’s Sarah Connor, I have to break this to you and often to myself: The Terminator and Terminator 2: Judgment Day are not actually feminist movies. They are not really female led, either. Yeah, it sucks. I truly wish I could tell you differently, but I’ve been dealing with this fact for years. Those of you where have been reading recently probably have picked up on this with some of my recent posts.
But, but Sarah Connor is the lead, right? Well, only kind of.
The title character is, obviously, Arnold Schwarzenegger’s Terminator. It is pretty standard for monster movie titles to be or to allude to the monster, which was the case of The Terminator which was a Final Girl horror piece with a twist a the end. Sarah doesn’t breath a sigh of relief that it’s all over after she crushes the monster, while the audience knows better, she heads off to prepare for the fact it’s just starting. She’s also pregnant because the movie also broke the usual virginal requirement for Final Girls. Final Girls are only kind of the lead character, she does win, after all, but really the monster is the star. The Final Girls can even change in each movie.
Schwarzenegger’s Terminator is again the title character, now a franchise name, in Terminator 2, this time as the hero. It’s, of course, handy that it as the T1000 is also a Terminator, the monster still gets in on the title (this, of course, means there was a female title character in Terminator 3: Rise of the Machines, but as awesome a person and actress as Kristanna Loken is, there was no saving that movie). While Sarah is shown as tough and capable and, for many of us, felt like the lead, this time she doesn’t even kill the monster in the end like a Final Girl. She comes close, but is short that last shell that might have driven the T1000 over the edge and into the molten steal It is the Terminator who has to take the final shot. She does then get to kill this reprogrammed ally, but it’s somehow not the same as watching her crush the monster that tried to kill her and did killed everyone she loved, “you’re terminated, fucker!” And now that she is not a Final Girl, being the only fully developed female character in the movie, she sadly fits in the One of the Boys mode far too much.
When I’m not writing about pop culture “strong women” or fitness, I research and write about warriors and gender issues in Old Irish literature and culture. My educational background is in Celtic and women’s studies and it’s been something I have continued to research seriously for over 30 years now. This may seem like an aside, but it definitely connects for me as there are layers of similarity in studying women warriors in both modern media and Old Irish literature. One big one how there are few women warriors in either early Irish or modern stories, yet many, including many feminists, declare that those few mean that women are so well represented that we should just shut the fuck up about it now.
Which, of course, I’m not. Because counting off two, three or a dozen “strong female characters” actually does more to demonstrate that there actually are not that many compared to “strong male characters” which are, of course, usually just called “characters” because male is seen as the default and physical strength is something considered normal for men but exceptional for women. You can’t make similar lists of all the “strong male characters” in either the Irish literature or modern movies and television so easily, there are just too many. Instead people will list their favorites or the best know. And also ignore all the dozens of supporting characters that are male and in roles indicating strength, while even in the background there are few such women. If we need further reminding of the issue, we just need to see how white cis-het men get so defensive about being “erased” when there are “too many” characters (or writers or directors…) who are not white cis-het men. That’s because there are some who truly believe that that white cis-het maleness is the Default Human and everyone else is Other, so they must outnumber everyone all the time. One woman (or PoC or LGBTQ+ person) is “equality,” two is “really pushing it,” more than that is “Feminazi SJWs* Ruining My Childhood!” Even though, you know, the world doesn’t work that way, so why should fiction? And if your world really does work that way, you have created a safe little bubble for yourself haven’t you? Guess what? That means that both your childhood and your current bubble need ruining. Time to join the real and very diverse world.
The other reason not to step back is that we’re usually having to find these characters in works that are non-feminist, even misogynist, and even when not that heavily so were created by men and not from women’s points of view. This is extremely obvious in the Old Irish literature, which we have not only written down by male clerics but most of the translations we currently have were done by men during the Victorian era. The point of view we get these stories from is very male and often hostile towards women. Which, oddly, is part of the reason why the fantasy of women warriors and women’s “strange” equality in early Irish culture is still believed by many, despite the evidence that women were not equal and any living female warriors wold have been outside the culture which is actually the very focus of what I write about on that subject. “If men wrote about them it must be they existed.” Except that it doesn’t work that way, either, and the actual presentation of female warriors in these texts is actually very negative. They are usually the enemies of the hero, sometimes monstrous. If positive, they are veiled as Otherworldly, Outsiders, and serve the hero of the story as teachers who are only warriors to pass the skills on and sometimes sacrifice themselves for his future. Well, kind of like some view Sarah’s role with John and maybe Dani now, which at least is a positive change regarding the gender of the student but it’s making some of us really worried about the possibility of that sacrifice aspect. (blatant self-promotion, this is all total simplification, if anyone is interested in that sort of thing you can visit Scáth na Feannóige)
Yet, while the viewpoint, the lens, that male writers might have see these female characters in was often down right misogynist, some of those women seem heroic to women today. In feminist literary studies there is the concept of looking at how different readers/listeners/viewers of a story see the story through different lenses, only some sharing the same point of view with the writers. Irish literature, among other forms, is being studied through this theory. Women, like Queen Medb of Connacht may have been written in a bad light, but women today and possibly women of early Ireland, often feel empowered by the story of her “unwomanly” ambitions and actions. (for those interested this is my review of what I consider to be the most thorough study of Medb’s story using this theory. Several of my papers on my site linked above as well as the blog linked here examine others)
Whether we are discussing ancient tales or modern movies, the story itself does not have to be written as feminist for us to find feminist messages. James Cameron did not create Sarah Connor as a feminist icon, that is clear in where the movie falls short. Like Medb is now made a feminist icon by feminists own vision of her, feminists, including Linda Hamilton through her amazing performance, made Sarah Connor a feminist icon. That’s our lens, we don’t need to pretend Cameron had the same one.
Today, men still tell most of the stories about women. It’s 2018 and it’s just now that we are really seeing an effort in film and television to even the playing field for women, people of color and LGBTQ+ folk. Oh, just as with characters in movies and literature, yes, we can name women who have held power in Hollywood, including Gale Anne Hurd who played such a vital role in bringing The Terminator to us both as writer and producer, and doing the leg work to sell it, to begin with. But white cis-het men still control things. Some of these men have worked to uplift women, POC and LGBTQ+ colleagues by consciously hiring and centering their voices. Others, as we have seen, continue to treat women directors and writers as if they are mythical, as satirized here. The San Diego Comic-Con had a panel of female filmmakers discussing the very real issues of working in Hollywood today. Some women who have made progress are definitely lifting other women up behind the camera, like Marvel’s Jessica Jones show runner Melissa Rosenberg hiring only female directors for season 2 and again for season 3, which will include the star Krysten Ritter’s directorial debut.
We are now seeing more female writers and directors in action movies, especially comic book based ones which is coming up as we’re finally getting female-led comic book based movies at all. Wonder Woman, which, remember, Cameron infamously attacked as “not really feminist,” was initially written by men, but put in the talented directorial hands of Patty Jenkins who co-wrote Wonder Woman 1984. The upcoming Captain Marvel movie is directed by Anna Boden with Ryan Fleck, both are co-writers along with Geneva Robertson-Dworet (who also co-wrote Tomb Raider), Nicole Perlman, Liz Flahive, Meg LeFauve and Carly Mensch. The treatment for Black Widow was written by Nicole Perlman and it will be directed by Cate Shortland.
Hurd actually co-wrote The Terminator script, as well as producing the first two films. She has been given “characters by” writing credit on Terminator 3, Genisys, The Sarah Connor Chronicles and some of the video games. We’ll see if she gets them with the new movie or not. She should William Wisher is the only other writer credited on Terminator 2, as well as having writing credit on the first one with Cameron and Hurd. But for Cameron’s return to the franchise, he and co-producer David Ellison hired a roomful of writers. All men. And he hired another man to direct. While attacking Jenkin’s Wonder Woman as not as “feminist as T2,” Cameron somehow forgot to include any actual female presence anywhere behind the camera of his supposedly feminist new movie.
I’m not going to say that men can’t write and direct Strong Female Characters or even express feminist ideals. And Linda Hamilton’s Sarah Connor is a strong character, in both the first movie when she’s thrown into a situation she has no preparation for (and was co-written by a woman) and the second where she is more obviously the epitome of the trope. But she is alone as a major female presence in T2.
Terminator 2 should have been a game changer, Linda’s portrayal of Sarah certainly did push boundaries in the hearts and minds of many women. Her physicality, her toughness, her organization, her prepping, even her psychotic break from knowing the truth and being gaslighted by…everyone…was stupendous for a female character. But it didn’t really change the game in movies to the extent it could have. This is likely because for all her strength, Sarah was alone, therefore such a breakthrough was not even considered by filmmakers at the time. And she was presented as primarily the future hero’s mother for all her muscle and skill, with no alternative non-maternal fighting women involved for balance as she was the only fully realized female character in the entire film. Add the cringey faux feminist rant that is shut down by her son and that she needs rescuing in the end, Sarah is a “strong female character” that doesn’t challenge fragile masculinity all that much. Therefore any progress stopped there, where we see similar characters, well, it’s usually clear that she’s One of the Boys.
If we needed more evidence that T2 wasn’t female-led nor feminist, it’s the fanboys who are right now crying over the inclusion of two more female characters and the release of a photo of the three as the first official photo, many who are claiming “T2 was real feminism, this is fake feminism. Because 1) they think they have the right to proclaim what is or isn’t feminism and 2) they think that equality means that men outnumber women at least 3-1. I will note that it’s not just men, there are women out there who even call themselves “feminists” who gladly support this delusion and join in on the attacks. Like the “Sarah alone was real feminism, if there are other strong women for her to work with that fake feminism” I was informed by a guy that he had it on the “creds” of YouTube “feminists” that “SW: A New Hope with Leia alone was real feminism, while four prominent women in TlJ as fake feminism ..and totally erased the men.” So, yeah, it’s not just men who are the problem, some women gladly attack and we are seeing that with Terminator now as well. But we can look at the actual numbers, to see exactly how feminist ANH was in comparison to all the SW movies through TLJ really were; even TLJ fails at reaching 50% of the dialogue being by women. Yet some very fragile men see that as erasure. Meanwhile, I would love to see such a count on T2 and the upcoming movie.
The toxic misogyny has certainly showing up in the Terminator fandom since this movie was announced, primarily at first in the form of ageism because Linda Hamilton is now 61. Mind you, Arnold Schwarzenegger is 71 which has prompted some ageist remarks, but far fewer than towards Linda. The photos of Mackenzie Davis have been attacked since the beginning, often with misgendering or vile tr*nny attacks. There were murmurings of “this better not be Feminazi SJWs* Ruining My Childhood!” again. The release of the photo at top, the first official photo for the movie, of course, has verified that’s what it is for this type and the attacks have been standard. Natalia Reyes had mostly been ignored in the English and other non-Spanish speaking media and social media until then. As she looks more conventionally “feminine” at this point, may save her from some attack. It does make me kind of glad that Hamilton does not do social media (seriously, folks, none of those profiles or pages are her or official, most are straight forward, but at least one person has accounts everywhere claiming to be her, they are not) and Davis does not seem to either. Otherwise, they might end up driven off by the shit like Ridley and Tran were.
But in a way, I’m taking this hysterical vitriol as a good sign. Change is coming, slower than some of us might like, but the tantrums over it make it clear that it’s happening. So it makes me hopeful that despite the lack of women behind the scenes, with three strong actresses playing strong roles, Terminator 2019 might just take major steps towards being an actual feminist movie….as defined by a middle aged feminist with a background in women’s studies who doesn’t really give a flying fuck whether actual feminism hurts certain men’s feelings or not. And if it is and does hurt those fragile feelings, all the better. Women, non-binary and non-fragile men spend money too, and again and again it’s being shown we will fill those seats that the misogynists won’t. And given that Mackenzie Davis appears to be at least part machine, given her apparent surgical scars and therefore may qualify as a Terminator, this may have a female title character.
I am hoping that what we are seeing does indicate that the female fans of Sarah Connor are a considered fanbase this time. That we will, indeed be seeing these three characters be well developed and featured. And that THEY DON’T KILL OFF SARAH CONNOR! I also really hope that we get action figures of all three right off the bat!
*Social Justice Warrior being used as a pejorative is one of the most Bizarro World things I have seen in all this mess. But, see, I’m old enough to remember the term being used as a positive descriptive and consider the idea of fighting for social justice being negative one of the fucking stupidest things I have ever seen. Obviously, I am using it ironically to mock those who use it as a slur here.
*****SPOILER ALERT for what is supposed to be a major spoiler for Wonder Woman, although it seemed pretty obvious. Also a bit spoilery for T2 but given that you are reading this that probably isn’t an issue at this point ****
One of the things that struck me about James Cameron’s tone-deaf rants about Wonder Woman, was that in the first one he said of Sarah Connor “…,she was a terrible mother, ….” This seems a bit odd as it certainly has nothing to do with comparing her to Diana who is not a mother. It does bring home the fact that James Cameron for all his claims of being “feminist” does seem to be a bit fixated on women as mothers. Especially as “terrible mothers.” Remember, he turned Ripley into a “Terrible Mother” who is guilt ridden over missing her daughter’s life and finds redemption in taking care of an orphan. This is just another problematic issue.
First, I don’t really think that Sarah is a Terrible Mother, as such, but rather she’s a mother faced with a overwhelming task to raise a child she knows must face absolute hell and who she also knows she must prepare him for it. This certainly turns her into a dysfunctional mother in many ways, she was not a warm and cuddly mother, at least by the time we see them in Terminator 2. Sarah is not gentle with John, she speaks harshly to him, a harshness she knows is nothing compared to what is waiting for himShe may well have never baked one fucking cookie out in the jungle. She might have at one time. She may have once tucked him into bed with a story, but she undoubtedly included stories of how he was the Savior of Mankind, rather than to convince him otherwise. She loves her child, but she knows the truth, she’s the only one who does, and it refocuses the way she raises her child.
Before T2 happens, Sarah decided she could not have her son face such a horror, nor could she let humanity face it if it could be stopped. She set out to try to stop Judgment Day before it happens. “She tried to blow up a computer factory but she got shot and arrested.” This, of course, means John ends up with another terrible mother as well as terrible father in his foster parents. It cuts Sarah off from John when she knows he is now being told that all she taught him was a lie and that he is even more vulnerable. She wanted to stop what was going to happen to him, but failing that needs to make sure he can still grow up to be the Savior of Mankind.
When they are reunited it is with Sarah’s greatest fear not only happening but walking right into the asylum. Primal terror kicks in to her already high adrenaline drive and she doesn’t seem to register that her son, who she is so desperate to get to and protect, is walking right in with her nightmare and her first response is to flee. It’s only her son who can bring her back to the present and allow her to adjust to the actual information that this nightmare is there to save them and a greater nightmare is now after them. She never responds lovingly to her reunion with her son, his moment of hope that she might is actually a check for injuries followed by scolding him for risking his life for hers. It’s her job, after all, to risk hers for him. She’s on overdrive, she’s still in primal instincts which now have returned to being about protecting her child and assuring he is so far okay. It seems cold, but, honestly, it’s also understandable to me. Apparently, not to James Cameron.
Of course, Sarah returns to the decision to stop John’s (and the rest of the world, all the other children) hellish future. She doesn’t make the greatest choice for that, but she moves forward immediately, leaving her son with a guardian she believes can protect him better than she could. She likely saw herself even more expendable now that a machine can guard him.
Everything Sarah does is to protect her child but also protect the world. He must be protected and prepared to save mankind if she fails, but she will do everything she can to try to keep him from every having to face doing that. She might not be a typical mother, but I don’t see that as terrible.
Hippolyta was charged with exactly the same task, raising a child, Diana, who is the Savior of Mankind. Rather than a time traveler sent back by her child the messenger and father is the God Zeus. Like John, Diana is meant to be trained and prepared for the task ahead and if she fails it could be the doom of humanity. Hippolyta deals with this mission rather differently than Sarah.
Hippolyta might not bake cookies either, but I’m sure she has a servant who does. Despite being queen, she does seem to be a warm loving Mommy who cuddles Diana and tucks her in at night with bedtime stories. Bedtime stories are designed to gaslight this Savior of Mankind into believing she anything but. To lie to her about what the God Killer is. To try to convince her not to want to train to prepare for a battle she doesn’t even know she is supposed to face. Hippolyta tells Diana the story of the Amazons, of the war between the Gods, of Ares’ vanquishing but also that she, Diana, is made of clay with no father. And she speaks of the God Killer as if it were a thing, a sword wielded by the mightiest among them, “and that is not you, Diana.” She is gentle and is dooming her child and all of humanity through her gentleness.
Unlike Sarah, despite not wanting her child to face what she must, Hippolyta never chooses to try prevent it by facing Ares herself. Unlike Sarah, Hippolyta refuses to train her child for what is to come. But fortunately, also, unlike Sarah she is not alone in knowing that Diana is the Savior of Mankind. All the other Amazons know it, but even her sister cannot turn her around, choosing to add to lies by training Diana in secret.
Even after Hippolyta catches them training and is then convinced to allow it, even while she does tell Antiope to train her to be better than even herself, she still does not reveal the truth to Diana. At every turn she claims that the more Diana’s ready to face Ares, the sooner Ares will find her. Even though the less Diana is ready, the more likely she is is to fail. She continues this even as Diana is leaving to seek out Ares not knowing she is the God killer or the real extent of her power.
Both these mothers have a horrible burden to raise a child who is meant to face horrors to save the world. Neither wishes this on their child, but it is their fate as well as humanity’s. Yet while Sarah does everything she can to make sure John is able to fulfill his destiny, then tries to prevent it by putting herself on the line to try to stop Judgment day; Hippolyta does everything she can to prevent Diana from fulfilling hers, yet never tries to take on the burden herself. Sorry, James Cameron, Sarah has nothing on Hippolyta when it comes to being a Terrible Mother.
To be honest, while I lost interest in Cameron’s work with Titanic, although my issues started with True Lies, complete with Jamie Lee Curtis’s character forced to do a strip tease, but I was won back by the underrated Strange Days directed by Kathryn Bigelow. But it was Avatar that completely made me lose any real respect for him. The racist, colonial, misogynist stereotypes are so blatant and so wrong that if we want to talk about steps backwards…well, he is the one actually running, blindly backwards. These are not the movies of the 21st century!
While he claims to want “strong female characters” he is making movies for those 14 to 18 year-old boys he thinks a pretty female lead in armor is meant to draw. T2 was really a fluke when it comes to him having female fans. And he’s losing us fast, here, because NEWS FLASH! a lot of female fans who are into T2 because Linda’s Sarah kicked ass and want to be excited for her return also enjoyed Wonder Woman and do not appreciate being told by some man that we are wrong to!
Cameron’s insistence that he, and only he (and maybe these other men he’s gathered for TReboot) understands “strong women.” But, of course, his mansplaining (because that is what it is) of “strong women,” only proves he does not understand women, strong or otherwise, fictional or real. A man who does isn’t going to go around telling female fans they are wrong for loving a movie that he just is not able to understand. And he obviously doesn’t.
Cameron doesn’t even seem capable of understanding that Wonder Woman/Diana is a this is a 76 year-old comic book icon that millions of girls and women have idolized all our lives. Some for 76 years even! That it’s a big deal that it took that long for the character to get a title movie or, for that matter, only got featured in a male-led DC movie just a few years ago. When Superman and Batman, the other two big name DC superheroes, have had many movie incarnations. That this movie was called a failure by many comic book movie fanboys long before it came out, on every conceivable social media forum. That we’ve been battling to get women-led comic book movies and told that they will fail, because Catwoman and Elektra, which were badly written crap (but so have been many male-led ones), failed so badly over a decade ago. That it was even under promoted until just before it’s release and yet it smashed records! Highest grossing action film directed by a woman. It is just $1 million shy of 2002 Spider-man for a comic book movie and is the highest grossing comic book origin movie of all time. That means no Batman, no Superman, not even Batman vs. Superman with Wonder Woman thrown in, has done so well.
And it is problematic that in 2017 all of this is newsworthy, is a big deal. It shouldn’t be and Terminator 2should have led the way to change in the ’90s. But it didn’t. Perhaps in part because it was not a female-led action movie, Sarah Connor who was the protagonist Final Girl in the first, took a back seat in T2 to the story of a boy and his pet Terminator. There are no other strong female characters (“prepper” Jolanda is off hiding unarmed with her kids instead of teaming up with her husband to flank the intruders, which would make far more sense) or even any actually developed female characters at all. This makes Sarah a Not Like Other Girls/One of the Guys trope (yes, a problem with WW after they leave Themyscira, too) The feminism of T2 is actually shut down by the badly written feminist rant that is, then, shut down by her little boy scolding her! While Sarah finished off the Terminator in The Terminator, she requires a last-minute rescue at the end of T2.
Don’t get me wrong, Sarah Connor’s arch from Final Girl to Warrior was an awesome thing. Obviously! I’ve been obsessing on Linda’s portrayal for 26 years, for crying out loud! But the movie wasn’t perfect and those imperfections make Cameron an utter hypocrite to say a single word about an actual female-led movie. Especially when there are things that are very problematic with Wonder Woman that are not the things he’s noting and things that he hasn’t done a remotely good job with. Like the Not Like Other Girls trope and lack of other, diverse, intersectional female characters after they leave the island.
With such a small number of female-led action movies, we already do not have the diversity that male-led ones do. But Cameron seems to feel that strong women only come in one type, that they should all be Sarah Connor knockoffs. This view is simplistic and one-dimensional, the idea that while male action characters can be, obviously, very varied (unless someone can find me where he said Superman shouldn’t be wearing that sexy, form-fitting costume), strong women must all be exactly alike. And, apparently, totally broken and mothers looking for redemption (he had to turn Ripley, a character he did not create, into a guilt-ridden abandoning mother who finds a second chance with an orphaned child). NEWS FLASH! the mother thing is the least interesting thing about either Sarah or Ripley for some of us.
What is interesting to me about Sarah is that she was a “normal woman” Final Girl who twisted the Final Girl trope at the end of the first movie by heading out to prepare for the future because she knows that the real monster hasn’t even been created yet. Whose arch into Terminator 2 show her as a determined survivalist. Here was a woman who had trained, prepared, organized to prepare her son for a horrible future, and then sacrificed herself in an attempt to keep him from having to face that. I fell in love and identified in many ways, sans the entire mother part, with Linda Hamilton’s Sarah. I thought both Linda and Cameron, as well as co-writer William Wisher and producer Gale Anne Hurd, were utterly awesome. I still have those feelings for Linda, Wisher and Hurd (and it doesn’t hurt that Wisher and Hurd both kindly supplied auction bling to help my chief Terminator Spotter get surgery! Thanks to The Terminator Fans. I am eternally grateful to all three! <3)
Sarah was also a “real person.” You know, as far as action film characters go. Like, say Kyle Reese. Wonder Woman/Diana is a comic book super-powered superhero, like Superman. Not even like Batman whose only super-power is that he’s rich and dysfunctional. In fact, while Superman is an alien, Diana is a fucking Goddess. Okay, the Goddess part is a recent addition to the character in the comics, but even before she was revealed as a Goddess she had been bestowed with “the strength of Hercules, the wisdom of Athena, the speed of Hermes and the beauty of Aphrodite.” So being beautiful is a canonical part of the character, although how she was drawn did change with the ideals of beauty at the time. And as either supernatural Amazon or Goddess, if she wants to come out of a battle with perfect silky hair, she can and always did.
Being a supernatural super-powered superhero, her life story is also vastly different from Sarah’s. Sarah is, I think, far easier to relate to having some sort of vague average American upbringing in the original movies. Diana was born to save the world, in the version used in the movie. Actually, Diana is far more like John Connor than Sarah, born to save the world with a sort of “otherwordly” father, but their upbringings with this understanding were different even beyond one being supernatural and the other being Earthly paramilitary survivalist and if I were to compare Sarah with anyone in the movie it would be with Hippolyta. (Something I will probably do and have now done).
Now I am personally more drawn to Sarah’s “realness”…a mortal woman of our time who turned herself into a warrior and survivalist. Because that’s what I have tried to create in myself even before Terminator 2 came out. Diana was someone I wanted to be back as a child. Hmm, actually at the time she didn’t have superpowers, but had lost them and took up karate, although I also had some older ones. But that doesn’t mean that I can’t enjoy the higher fantasy of Wonder Woman or understand that that might appeal more to other women. Especially with the great, if brief, Amazon training scenes at the beginning.
Bottom line is, many women are fans of both Sarah Connor and Wonder Woman. And Ripley. And The Bride/Beatrix Kiddo. And Furiosa, the Wives and the Vuvalini of the Many Mothers. And General Leia, Rey and Jyn Erso. And others still too few, and sometimes not all that great. And we want more. More Sarah Connor from Linda Hamilton. More Wonder Woman and not just DCEU version. More comic book super-powered female heroes. More down to earth and messy haired and variously flawed mortal female heroes…some who are butch, some who are femme, some who are women of color, some who are queer, some who are trans women…..
Yes, we want it all!
And we don’t want men telling us that we don’t fucking understand strong women. It’s insulting. We do actually know a bit more than you do about strong women.
We are strong women!
*Sketch of Sarah Connor and Lt. Ellen Ripley shushing James Cameron on behalf of Diana/Wonder Woman was drawn by Axel Medellin, who kindly granted permission for use here, and was originally posted Tumblr
So yes, we’ve sucked at doing this regularly but….I had to come on here becasue I couldn’t help but get seriously excited when I heard of the Artemis Women in Action Film Festival happening in Los Angeles April 24-26, 2015!
They have been fundraising to make this happen at WomenKickAss.com and now have the funds for a single screen so it is a go! They are trying to raise enough for at least a second screen and maybe a third! Please, if you can, help out, if not snag that link and share it around! The fundraiser ends on March 19!
Because this is important! If we’re going to get more movies with women action leads, we need to support and celebrate the effort and show that we are an audience to be reckoned with! And it’s vital that we have more of these movies out there, because it’s not that we just want them, its that we need them! At any age and we especially need this to grow so young women and girls can see women as equal, in all ways! We need this festival to thrive!
There will be competitions for films and screenplays and women of action films will be honored!
This includes Linda Hamilton receiving the Artemis Action Icon Award! Well, who else would it be? Because for so many of us, even after more than two decades she just really is The Icon!
Actress, stunt woman, author Angela Meryl will be receiving the Artemis Stunt Unsung Heroine Award and stunt woman and stunt coordinator Maja Aro will be receiving the Artemis Stunt Warrior Award.
You can see a message from festival founder, actress and stunt woman Melanie Wise in this video. Please remember that the Women Kick Ass fundraiser has been extended to March 19 and therefore you still have three days to join in and make this event really take off!